THE AMERICAN AESTHETIC
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    • Biographies of our featured poets along with their favorite public domain poems.
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POEMS of EIGHT POETS
(Spring 2020, Volume 8)

Picture
Emily Strauss                                                                

Swimming in You

Let me swim in you, sea
coiled in tresses across my shoulders
down my naked back
cool water shivering me
I break for the surface
forehead to the hot sun
momentarily
then sink again
you chilling thick abundance
azure turquoise depths
dropping to black, I emerge into you
as a fairy into night
mingling in some middle zone
winding through my hair.
Let me swim deeply--
you will enfold me
flowing in your currents
I drift content
without thoughts
watching colored fishes graze
knowing you surround my open arms
your blue-green rays shining the way
to my rest, I will linger in you
Ocean forever.

Biographical information, favorite public domain poem.



Picture
Des Clark-Walker

Interfaces

Restless ocean, wind over, gusty
splashy-crested swells, white wavering
free falling foam then, upwelling.

Reflecting sea, a molten mirror
breeze enlivened, sparkling, light leaping
and flash dancing to the horizon.

Resisting land, eroding, tidal
flooding, wet ebbing, slow thrumming surf
a turbulent three-phase contact zone.


Biographical information, favorite public domain poem.


Picture
Charles Farrell Theilman

 Family Farm

Hot wind a coarse brush
through black manes and cut hay.

Dusk absorbs
sunset's plaited gnosis

into its deep blue wings.

What survives this season
turns its back to the sky,
rests on dark arms

and lets dry yellow stones
fall into buried deltas.

Lantern glow on wire coil,

hooves plant crescents in loam
while bales, lined up at arm's length,
release their last green to starlight.

Wagon, rein and halter, sweat
crusted necks to sun-burned hands,
sky a promise of more dust, of hot yellow

light edging the shadows of five oaks.

The swing-set chains and seats sway.

The kitchen window becomes one beacon.
Peer inside dark blue dusk.


Biographical information, favorite public domain poem.

Picture
James G. Piatt
​
 The Last Train

In cold spherical winds
Of earth bound absurdities,
My fading breath carries
That which is hidden
Inside caches laden with
Darkened secrets: This
Reality slowly flows from
the rusted rails of the
Last train as it vanishes
Bit by bit into the dark
unforgiving spaces, of
unbending veracity.
It is then that I know.
 
Biographical information, favorite public domain poem.


Picture
Brett Mertins

Short Song for a Stomped Cricket

Few who hear your rhymes can bear the rub
of wing on wing—a blurry black bow mating
a trembling string; a record’s needle skating
groove after groove—in an odd slide at love.
Your two long days at work behind our hub,
our quaking office copier—duplicating
chirp over tonered chirp, anticipating
your fair return—returned the classic drub.

Today, you’re crushed not far from your sad shrub--
bent staples stemming a balled brush of dust--
where yesterday you squatted, serenading.

Who lured you out?  Did Beatrice, our olive-
skinned temp, wear white? Was it for you, you guessed,
blonde Laura, in line to copy, was waiting?


Biographical information, favorite public domain poem.

Picture
Maxfield Lydum

​
Lip Stick Car

Contrary to popular belief,
Wild times abound when you cruise the valley
in a Mormon Mary Kay car.

See that car slice through the fog and leave
lip stick stains on your
asphalt cheek?

It’s heading to the chandelier town near the river
where high school girls walk 7 white huskies
kids shoot hoops.

Mormon Mary Kay squeals stop and dumps
contents into the glass delicate night.

Out comes pearled beauty of the night
lip stick kisses and tight red dress
dripping with intuition.

But who can say why she doesn't come home
to a bright chandelier?

Who can wonder
why she’s lonely in the Cadillac?

Where can she go
if her heels snap on the concrete?

It’s really an urgent
question.


Biographical information, favorite public domain poem.



Picture
William Conelly

Forgiveness

When words have passed away,
leaving behind sad furrows,
and we lie down to sleep 
on dark, eclipsing worlds,
 
in our grave silences,
the heart’s first precepts start
to ease and mollify
what language pressed apart,
 
so we may turn at last,
from spheres beyond this pall,
and lightly touch before
the darkness alters all.


Biographical information, favorite public domain poem.



Picture
Avgi Meleti                                                                                                                                                                                                  
Romel Forks

I am this weird lady sitting by the window in black clothes.
When I grow up, you will be able to see the feathers around my neck
And the shadow that’s strangling me to death every night, in the darkness of my room.
It may be the black lake of my spirit, but I cannot be sure.
You see, my beloved Romel, the wind is blowing and ravens are coming.
Ravens make me feel nervous and excited. I am really excited Romel.
I cannot even describe to you why I decided to wear these old shoes.
Do you remember my grandmother? The tall lady with the long plait
And the sculptures in her breast pockets.
She always cooked birds for you and these shoes are hers. You cannot fool me;
I know she had given you all her forks. The ones I wanted.
And I know where you keep them, but  I am not a thief.
Don’t call me a liar. When I grow up I will kill you to get the forks back.
Look out of the window. Yes, now. Do you see the green valley?
Spreading like a velvet leaf, I can hear it whispering to me every evening.
The soil talks to me, the grass, the air, the weeds and the rain
Even this old wallpaper talks to me, if I sit here with my pheasant.
But these black crows scare me a little. It’s a different fear I feel.
As if these birds can take my soul away. Grandma had never cooked a crow for you.
I am not able to explain everything Romel and you are too dumb to understand
my secret breaths, my whistling words and my rolling eyes. Do you want to paint me Romel?



Biographical information, favorite public domain poem.


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